Of Dashes, Gashes, and Wounds: Radclyffe Hall and the Medieval Devotion of "Miss Ogilvy Finds Herself"

This article places Radclyffe Hall's "Miss Ogilvy Finds Herself" in relation to a variety of discursive contexts. particularly medieval iconography and Old and New Testament biblical allusions. I show that while the story gestures toward the familiar images of a wounded Christ, Hall i...

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Bibliographic Details
Main Author: Watts, Jarica Linn (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
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Published: University of Notre Dame 2020
In: Religion & literature
Year: 2020, Volume: 52, Issue: 2, Pages: 67-90
Standardized Subjects / Keyword chains:B Hall, Radclyffe 1880-1943, Miss Ogilvy finds herself / Middle Ages / Iconography / Injury / LGBT / Identity
IxTheo Classification:CD Christianity and Culture
CE Christian art
KAC Church history 500-1500; Middle Ages
KAJ Church history 1914-; recent history
NCF Sexual ethics
Further subjects:B Bible. New Testament
B Medieval iconography
B Hall, Radclyffe
B Spiritualism
B Jesus Christ
Online Access: Volltext (lizenzpflichtig)

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520 |a This article places Radclyffe Hall's "Miss Ogilvy Finds Herself" in relation to a variety of discursive contexts. particularly medieval iconography and Old and New Testament biblical allusions. I show that while the story gestures toward the familiar images of a wounded Christ, Hall is less interested in a Messiah who saves and is more interested in a collective vulnerability that embraces and tarries with the grief of gendered wounding To this end, my discussion performs a pair of linked functions: first, it delivers a new interpretive mechanism for reading "Miss Ogilvy Finds Herself" in light of the medieval Christian tradition; and second. it blazes a specific path through the annals of wound iconography parsing a quatrain of orientations-psychic wound, war wound, side wound, and cloth wound-as I unravel Hall's spiritual, psychological, and deeply philosophical account of gendered identity. 
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