Empire for liberty: Melville and the poetics of individualism
Frontmatter -- Contents -- Acknowledgments -- Empire for Liberty -- CHAPTER I: Nation, Self, and Personification -- CHAPTER 2: Author as Monarch -- CHAPTER 3: Author as Subject -- CHAPTER 4: Blaming the Victim -- CHAPTER 5: Knowing the Victim -- CHAPTER 6: Personified Accounting -- Notes -- Index
MARC
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| 520 | |a Frontmatter -- Contents -- Acknowledgments -- Empire for Liberty -- CHAPTER I: Nation, Self, and Personification -- CHAPTER 2: Author as Monarch -- CHAPTER 3: Author as Subject -- CHAPTER 4: Blaming the Victim -- CHAPTER 5: Knowing the Victim -- CHAPTER 6: Personified Accounting -- Notes -- Index | ||
| 520 | |a Wai Chee Dimock approaches Herman Melville not as a timeless genius, but as a historical figure caught in the politics of an imperial nation and an "imperial self." She challenges our customary view by demonstrating a link between the individualism that enabled Melville to write as a sovereign author and the nationalism that allowed America to grow into what Jefferson hoped would be an "empire for liberty." | ||
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