El brillo agustiniano acrisola los lienzos de Murillo = Augustinian Iconography in Murillo’s Painting
Undoubtedly, Bartolomé Esteban Murillo is one of the Sevillian painters with the highest international impact. This year, the celebration of his 4th Centennial, we present this paper about how he showed in his paintings the figure and thoughts of one great Saint who is Doctor of Catholic Church and...
Subtitles: | Augustinian Iconography in Murillo’s Painting |
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Main Author: | |
Format: | Electronic Article |
Language: | Spanish |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Facultad de Teología San Isidoro de Sevilla
2018
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In: |
Isidorianum
Year: 2018, Volume: 27, Issue: 53, Pages: 69-94 |
Further subjects: | B
Agustín de Hipona
B Iconografía B Murillo |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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520 | |a Undoubtedly, Bartolomé Esteban Murillo is one of the Sevillian painters with the highest international impact. This year, the celebration of his 4th Centennial, we present this paper about how he showed in his paintings the figure and thoughts of one great Saint who is Doctor of Catholic Church and who is well known even for those who ignore the Christianism. We refer to St. Augustine from Hipona and we invite the readers to discover how the bright of this saint is also reflected in the paintings that Murillo made for the Augustine Convent in his born city., Es, sin duda, Bartolomé Esteban Murillo uno de los pintores sevillanos con más relevancia universal. Y precisamente este año, en el que nos hallamos celebrando el cuarto centenario de su nacimiento, presentamos este trabajo en el que deseamos mostrar cómo también en sus cuadros se plasmó la figura y el pensamiento de aquel gran santo y Doctor de la Iglesia que es conocido incluso por quienes ignoran el cristianismo o no tienen familiaridad con él. De esta forma, instamos al lector a descubrir, a través de dicho trabajo, cómo el brillo de San Agustín de Hipona acrisola también los lienzos que el maestro sevillano pintara para el convento agustino de su ciudad natal. | ||
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