Traditio Legis y otras representaciones iconográficas a través de objetos de vidrio y vidriados = Traditio Legis and Other Iconographic Representations on Glass and Glazed Objects
In the present article we will analyze the glazed patens decorated with the iconographic program Traditio Legis in Spain, although they are not very numerous, if we count on the important testimony of Castulo (Linares, Jaén) or of the Almoina (Valencia). The analysis of its intrinsic forms gives us...
Subtitles: | Traditio Legis and Other Iconographic Representations on Glass and Glazed Objects |
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Main Author: | |
Format: | Electronic Article |
Language: | Spanish |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Facultad de Teología San Isidoro de Sevilla
2019
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In: |
Isidorianum
Year: 2019, Volume: 28, Issue: 55, Pages: 49-61 |
Further subjects: | B
vidrio romano
B Cristo B arte paleocristiano |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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520 | |a In the present article we will analyze the glazed patens decorated with the iconographic program Traditio Legis in Spain, although they are not very numerous, if we count on the important testimony of Castulo (Linares, Jaén) or of the Almoina (Valencia). The analysis of its intrinsic forms gives us a valuable iconographic information, which would be the ante-room of the Pantocrator represented in Romanesque art centuries later., En el presente artículo analizaremos las patenas de vidrio y vidriadas decoradas con la imagen de Cristo, san Pedro y san Pablo, así como el programa iconográfico de la Traditio Legis. A pesar de que no son muy numerosas en España, sí contamos con el importante testimonio de Cástulo (Linares, Jaén) o de la Almoina (Valencia). El análisis de sus formas intrínsecas nos aporta una valiosa información iconográfica, que sería el ante sala del Pantocrator representado en el arte Románico en siglos posteriores. | ||
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