Between God and the world: a critical appraisal of the sophiology of Sergius Bulgakov

The sophiology of Sergius Bulgakov has exerted a significant amount of influence over Anglophone theology over the last decade. Theological figures as significant as Rowan Williams, John Milbank and Paul Fiddes, to name but a few, have positively engaged with and utilised Bulgakov's sophiology...

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Bibliographic Details
Main Author: May, Richard ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
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Published: Cambridge Univ. Press 2021
In: Scottish journal of theology
Year: 2021, Volume: 74, Issue: 1, Pages: 67-84
Standardized Subjects / Keyword chains:B Bulgakov, Sergii N. 1871-1944 / Sophia theology
IxTheo Classification:KAH Church history 1648-1913; modern history
KAJ Church history 1914-; recent history
KDF Orthodox Church
NBC Doctrine of God
NBF Christology
Further subjects:B Wisdom
B Bulgakov
B Russian theology
B cosmic Christology
B Sophiology
Online Access: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)

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520 |a The sophiology of Sergius Bulgakov has exerted a significant amount of influence over Anglophone theology over the last decade. Theological figures as significant as Rowan Williams, John Milbank and Paul Fiddes, to name but a few, have positively engaged with and utilised Bulgakov's sophiology within their own theological contributions. Thus, for many, Bulgakov's sophiology has proven to be a fecund source of theological inspiration, especially when articulating the relationship between God and the world. However, historically, Bulgakov's sophiology has been criticised by many Orthodox theologians, who argue that Bulgakov's proposals are theologically flawed and challenge traditional orthodox readings of Christian doctrine. Despite the controversy surrounding Bulgakov's use of Sophia, very few comprehensive, critical studies of Bulgakov's sophiology, spanning its historical development, exist. This article seeks to fill this void at a time when Bulgakov's sophiology is enthusiastically adopted by many without an accompanying critical lens. 
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