Catherine’s Icon: Pavel Filonov and the Orthodox World
The authors discuss the Orthodox icon which Pavel Filonov (1883-1941) painted in 1908 or 1909 for his sister, Ekaterina, placing it within the broader context of his oeuvre, his family and his understanding of ‘religiosity’. Making reference to Filonov’s system of Analytical Art and to what he calle...
| Authors: | ; |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2021
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| In: |
Religions
Year: 2021, Volume: 12, Issue: 7 |
| Further subjects: | B
Imperial Academy of Arts
B Natal’ia Goncharova B Vladimir Tatlin B Pavel Filonov and his family B Old Believers B Crucifixion B icons of St. Catherine the Martyr B Cathedral of the Intercession at Rogozhskaia sloboda (Moscow) B Kazimir Malevich B Orthodoxy |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a The authors discuss the Orthodox icon which Pavel Filonov (1883-1941) painted in 1908 or 1909 for his sister, Ekaterina, placing it within the broader context of his oeuvre, his family and his understanding of ‘religiosity’. Making reference to Filonov’s system of Analytical Art and to what he called ‘madness’, the authors focus on the particular technical devices which he used in the icon and on the podlinnik (or primer) from which he copied the main elements. Reference is also made to other religious motifs in Filonov’s art such as the Magi, Flight into Egypt and Crucifixion. | ||
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