Before God: Reconstructing Ritual in the Desert in Proto-Historic Times
Archaeological remains are a trove of potential data which, together with the study of ritual, enable reconstruction and evaluation of social and religious structures and complexity. Concentrating on the Timnian culture (sixth to late third millennium BCE) of the Southern Levant deserts, we review t...
Опубликовано в: : | Entangled Religions |
---|---|
Другие заглавия: | "The Desert Origins of God: Yahweh's Emergence and Early History in the Southern Levant and Northern Arabia" |
Главные авторы: | ; ; |
Формат: | Электронный ресурс Статья |
Язык: | Английский |
Проверить наличие: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Опубликовано: |
Ruhr-Universität Bochum
2021
|
В: |
Entangled Religions
|
Нормированные ключевые слова (последовательности): | B
Levante (Süd)
/ Timna
/ Археология (мотив)
/ Negev
/ Ландшафт (мотив)
/ Святость
/ Ритуал (мотив)
|
Индексация IxTheo: | AF География религии AG Религиозная жизнь BC Религии Древнего Востока HH Археология KBL Ближний Восток |
Другие ключевые слова: | B
Timnian culture
B cairns B rock art B open-air sanctuaries B Ритуал (мотив) B Negev |
Online-ссылка: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Итог: | Archaeological remains are a trove of potential data which, together with the study of ritual, enable reconstruction and evaluation of social and religious structures and complexity. Concentrating on the Timnian culture (sixth to late third millennium BCE) of the Southern Levant deserts, we review the changes that took place with the adoption of the domesticated goat, noting the contrast between habitation sites and ritual related megalithic monuments regarding social hierarchy. Desert kites, open-air shrines, and cairns reflect organized communal labour and use, reinforcing tribal identity and the need for territorial definition. The orientation of the open-air shrines reflects a cosmology related to death and mortuary. Timnian Rock art comprises geoglyphs and petroglyphs. Geoglyphs are associated with open air shrines while petroglyphs represent a slightly later development initially unrelated to ritual. In accordance with the rock art repertoire and styles employed, we suggest that the orant was integrated into the Timnian culture following contact with northern cultures by way of trade with Arad. Rock art also highlights foreign entities in the Negev during the Intermediate Bronze age. |
---|---|
ISSN: | 2363-6696 |
Второстепенные работы: | Enthalten in: Entangled Religions
|
Persistent identifiers: | DOI: 10.46586/er.12.2021.8943 |