Before God: Reconstructing Ritual in the Desert in Proto-Historic Times

Archaeological remains are a trove of potential data which, together with the study of ritual, enable reconstruction and evaluation of social and religious structures and complexity. Concentrating on the Timnian culture (sixth to late third millennium BCE) of the Southern Levant deserts, we review t...

Descripción completa

Guardado en:  
Detalles Bibliográficos
Otros títulos:"The Desert Origins of God: Yahweh's Emergence and Early History in the Southern Levant and Northern Arabia"
Autores principales: Eisenberg-Degen, Davida (Autor) ; Galili, Roy (Autor) ; Rosen, Steven A. 1954- (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
Verificar disponibilidad: HBZ Gateway
Journals Online & Print:
Gargar...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado: Ruhr-Universität Bochum 2021
En: Entangled Religions
Año: 2021, Volumen: 12, Número: 2
(Cadenas de) Palabra clave estándar:B Levante (Süd) / Timna / Arqueología / Negev / Paisaje / Santidad / Ritual
Clasificaciones IxTheo:AF Geografía de la religión
AG Vida religiosa
BC Antiguo Oriente ; Religión
HH Arqueología
KBL Oriente Medio
Otras palabras clave:B Timnian culture
B cairns
B rock art
B open-air sanctuaries
B Ritual
B Negev
Acceso en línea: Volltext (kostenfrei)
Volltext (kostenfrei)
Descripción
Sumario:Archaeological remains are a trove of potential data which, together with the study of ritual, enable reconstruction and evaluation of social and religious structures and complexity. Concentrating on the Timnian culture (sixth to late third millennium BCE) of the Southern Levant deserts, we review the changes that took place with the adoption of the domesticated goat, noting the contrast between habitation sites and ritual related megalithic monuments regarding social hierarchy. Desert kites, open-air shrines, and cairns reflect organized communal labour and use, reinforcing tribal identity and the need for territorial definition. The orientation of the open-air shrines reflects a cosmology related to death and mortuary. Timnian Rock art comprises geoglyphs and petroglyphs. Geoglyphs are associated with open air shrines while petroglyphs represent a slightly later development initially unrelated to ritual. In accordance with the rock art repertoire and styles employed, we suggest that the orant was integrated into the Timnian culture following contact with northern cultures by way of trade with Arad. Rock art also highlights foreign entities in the Negev during the Intermediate Bronze age.
ISSN:2363-6696
Obras secundarias:Enthalten in: Entangled Religions
Persistent identifiers:DOI: 10.46586/er.12.2021.8943