La música de los libros de canto llano de la Catedral de Sevilla = The Music of the Plainchant Books of the Cathedral of Seville
The number of choral books in the Cathedral of Seville amounts to almost 300 in total, corresponding to a period of time that goes from the 15th to the 20th century. The oldest ones, as they are more decorated and illuminated, have been studied by various specialists, but this has not happened with...
| Subtitles: | The Music of the Plainchant Books of the Cathedral of Seville |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Facultad de Teología San Isidoro de Sevilla
2021
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| In: |
Isidorianum
Year: 2021, Volume: 30, Issue: 1, Pages: 97-139 |
| Further subjects: | B
canto llano
B cantorales B canto gregoriano B Catedral de Sevilla B himnarios |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 245 | 1 | 3 | |a La música de los libros de canto llano de la Catedral de Sevilla |b = The Music of the Plainchant Books of the Cathedral of Seville |
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| 520 | |a The number of choral books in the Cathedral of Seville amounts to almost 300 in total, corresponding to a period of time that goes from the 15th to the 20th century. The oldest ones, as they are more decorated and illuminated, have been studied by various specialists, but this has not happened with their music, despite being the true reason for their existence. In this article we focus on the revision of plain chant carried out by Sebastián Vicente Villegas, at the request of the Seville cabildo, after the publication of the decree of Clement VIII and the doctrine of humanism spread throughout Europe after the Council of Trent., El número de libros corales de la catedral de Sevilla asciende casi a trescientos en total, correspondientes a un período de tiempo que va del siglo XV al XX. Los más antiguos, por ser más decorados e iluminados, han sido estudiados por varios especialistas, pero no ha sucedido esto con su música, a pesar de ser la verdadera razón de su existencia. En el presente artículo centramos nuestra reflexión sobre la revisión del canto llano realizada por Sebastián Vicente Villegas, a petición del cabildo de Sevilla, tras la publicación del decreto de Clemente VIII y la doctrina del humanismo extendida por toda Europa después del Concilio de Trento. | ||
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