“Memorial Stones”: The Geography of Womanhood in Heathen Woman's Friend, 1869-1879
The accompanying engraving [see fig. 1] appeared in a mid-nineteenth-century issue of The Ladies' Repository. Its caption, “Missionary Cemetry [sic], Fuh-Chau, China,” gives an accurate enough description of the scene. The artist even included a legend identifying the missionary wives and child...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge University Press
1997
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| In: |
Religion and American culture
Year: 1997, Volume: 7, Issue: 2, Pages: 247-269 |
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| 520 | |a The accompanying engraving [see fig. 1] appeared in a mid-nineteenth-century issue of The Ladies' Repository. Its caption, “Missionary Cemetry [sic], Fuh-Chau, China,” gives an accurate enough description of the scene. The artist even included a legend identifying the missionary wives and children whose remains the graves held. It is difficult to know exactly in what spirit The Repository presented this engraving to its subscribers. But the shady silence of the scene, like a pictorial obituary, invites reflection on both the lives and the deaths of the entombed. Significantly, like an obituary, the embrace of the trees also draws one in to reflect on one's own life and eventual death. | ||
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