Dante, poeta del desiderio
According to the medieval view, there is a natural desire in man to see God (St Thomas). Dante embraces this perspective and transposes it into his Comedy, which can be defined as the trilogy of desire, first as desire that is betrayed and petrified in damnation (Inferno); second, as desire betrayed...
Main Author: | |
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Format: | Print Article |
Language: | Italian |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[publisher not identified]
2021
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In: |
La civiltà cattolica
Year: 2021, Volume: 172, Issue: 4102, Pages: 320-331 |
IxTheo Classification: | CD Christianity and Culture KAE Church history 900-1300; high Middle Ages KBJ Italy |
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520 | |a According to the medieval view, there is a natural desire in man to see God (St Thomas). Dante embraces this perspective and transposes it into his Comedy, which can be defined as the trilogy of desire, first as desire that is betrayed and petrified in damnation (Inferno); second, as desire betrayed, but redeemed in purification (Purgatory); and third, desire that is fully realised in the Supreme Good (Paradise). Along this path, the woman (Beatrice, but not only she) plays a decisive role. Dante’s centenary is an invitation to take this extraordinary journey with Dante, first and foremost within ourselves. | ||
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