Fear, Concern and Care in the Northwest Palace of Ashurnasirpal II
The doors and gates of the Northwest Palace of Ashurnasirpal II at Kalhu were highly guarded by a great variety of protective figures. These are known as lamassu or šēdu (bulls and lion colossi) and apkallū (genies), which acted both as architectural elements and as overseers of persons moving in an...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Vandenhoeck & Ruprecht
2021
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| In: |
Die Welt des Orients
Year: 2021, Volume: 51, Issue: 1, Pages: 28-57 |
| IxTheo Classification: | AG Religious life; material religion BC Ancient Orient; religion HH Archaeology KBL Near East and North Africa |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a The doors and gates of the Northwest Palace of Ashurnasirpal II at Kalhu were highly guarded by a great variety of protective figures. These are known as lamassu or šēdu (bulls and lion colossi) and apkallū (genies), which acted both as architectural elements and as overseers of persons moving in and out. Their protective role derives not only from their simple presence, but also from apotropaic objects they hold: ritual buckets, pinecone-shaped objects, maces, various species of plants, deer, goats, kids, and lambs. From the presence of these assorted attributes, one may deduce that doorways provided not only the settings for ritual activities, but were themselves recipients of and/or participated in actual rituals. On this premise, the article analyses the protective figures and their attributes in the light of textual references in Mesopotamian incantations in order to re-create apotropaic rituals performed at doorways in the palace. Additionally, a link between ritual activity and internal movement will be proposed, thereby assigning specific doors to individual groups of people circulating within the palace. The analysis concludes that rituals and protective figures cooperated to protect the palace and were meant as strategies to cope with collective fear and anxiety on different levels, both in space and time. | ||
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