Richard Wright’s Anagrammatical Allegory of Liturgical Reading, or Inhabiting the Black Messianic in “The Man Who Lived Underground”

This essay reads Richard Wright’s speculative novella, “The Man Who Lived Underground” (1940/1996), as an anagrammatical allegory of liturgical reading. By anagrammatical, I invoke Christina Sharpe’s understanding of how Blackness singularly “exists as an index of violability and also potentiality”...

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Bibliographic Details
Main Author: Kaplan, Andrew Santana (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group 2021
In: Political theology
Year: 2021, Volume: 22, Issue: 4, Pages: 279-295
Standardized Subjects / Keyword chains:B Wright, Richard 1908-1960, The man who lived underground / USA / Liturgy / Blacks / Messiah (Motif)
IxTheo Classification:CD Christianity and Culture
KBQ North America
NBK Soteriology
NCC Social ethics
RC Liturgy
Further subjects:B Afropessimism
B Apocalyptic
B Blackness
B Reading
B Messianic
B Richard Wright
B anagrammatical
B Liturgy
B Agamben
B Allegory
B Paul
B Desecration
Online Access: Volltext (lizenzpflichtig)

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520 |a This essay reads Richard Wright’s speculative novella, “The Man Who Lived Underground” (1940/1996), as an anagrammatical allegory of liturgical reading. By anagrammatical, I invoke Christina Sharpe’s understanding of how Blackness singularly “exists as an index of violability and also potentiality” in its foreclosure from the World’s grammar of anti-Blackness. With allegory (of reading), I draw attention to both (1) how Wright recasts Plato’s allegory of the cave in modern America and, following Paul de Man, (2) how Wright’s text is an allegory of un/readability. Finally, with liturgy, I draw on Giorgio Agamben’s understanding of mystery as a performance that (re-)enacts the text. This leads me to theorize that Wright’s anagrammatical allegory of liturgical reading brings the reader into speculative attunement to the Black messianic, which is a radical mode of fidelity to the Black’s singular positionality in aspiring to the un-veiling [apo-kalyptein] of the katechontic anti-Black World – toward gratuitous messianic freedom. 
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