“Even unto this Bitter Loving”: Unhappiness and Backward Feelings in Ruth
Feminist and queer readings of the Hebrew Bible frequently treat the book of Ruth as a “happy object.” At the same time, contextual readings have suggested that Ruth is a narrative of exploitation, including possible sexual exploitation or trafficking. Building on recent scholarship about queer feel...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2021
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| In: |
Biblical interpretation
Year: 2021, Volume: 29, Issue: 3, Pages: 308-331 |
| Standardized Subjects / Keyword chains: | B
Ruth
/ Feminist exegesis
/ Lesbisch
/ Queer theology
/ Postcolonialism
/ Exploitation
/ Happiness
/ Hall, Radclyffe 1880-1943, The well of loneliness
|
| IxTheo Classification: | FD Contextual theology HB Old Testament |
| Further subjects: | B
Ruth
B Happiness B Queer B Feminist B Postcolonial B Lesbian B Exploitation |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Feminist and queer readings of the Hebrew Bible frequently treat the book of Ruth as a “happy object.” At the same time, contextual readings have suggested that Ruth is a narrative of exploitation, including possible sexual exploitation or trafficking. Building on recent scholarship about queer feelings and affect, this article negotiates a reading that takes seriously both the history of lesbian and queer readings of Ruth and Naomi and the critical attention on structures of exploitation. Drawing on Sara Ahmed’s The Promise of Happiness (2010) and Heather Love’s Feeling Backward (2007), I argue for the importance of feeling , especially unhappy or backward feeling, in reading Ruth. My reading also frames the biblical book in conversation with Radclyffe Hall’s classic 1928 lesbian novel (and source for lesbian and queer theory) The Well of Loneliness . By following unhappiness and backwardness in and around Ruth, we are able to snatch a glimpse of queer feeling, and the space of promise it opens. | ||
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