|
|
|
|
LEADER |
00000naa a22000002 4500 |
001 |
1759092657 |
003 |
DE-627 |
005 |
20210528045036.0 |
007 |
tu |
008 |
210528s2021 xx ||||| 00| ||eng c |
020 |
|
|
|a 9789004446571
|
035 |
|
|
|a (DE-627)1759092657
|
035 |
|
|
|a (DE-599)KXP1759092657
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rda
|
041 |
|
|
|a eng
|
084 |
|
|
|a 1
|2 ssgn
|
100 |
1 |
|
|a Ragheb, Nicholas
|e VerfasserIn
|4 aut
|
245 |
1 |
4 |
|a The ldeological Dimensions of Coptic Music Theory
|b Evolution of Musical Theorization as a Cultural Strategy
|
264 |
|
1 |
|c 2021
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a ohne Hilfsmittel zu benutzen
|b n
|2 rdamedia
|
338 |
|
|
|a Band
|b nc
|2 rdacarrier
|
601 |
|
|
|a Strategie
|
773 |
0 |
8 |
|i Enthalten in
|a International Symposium of Coptic Studies (5. : 2018 : Melbourne)
|t Copts in modernity
|d Leiden : Brill, 2021
|g (2021), Seite 390-416
|h XXI, 431 Seiten
|w (DE-627)1738977277
|z 9789004446571
|7 nnnm
|
773 |
1 |
8 |
|g year:2021
|g pages:390-416
|
935 |
|
|
|a mteo
|
951 |
|
|
|a AR
|
ELC |
|
|
|b 1
|
ITA |
|
|
|a 1
|t 1
|
LOK |
|
|
|0 000 xxxxxcx a22 zn 4500
|
LOK |
|
|
|0 001 3931981142
|
LOK |
|
|
|0 003 DE-627
|
LOK |
|
|
|0 004 1759092657
|
LOK |
|
|
|0 005 20210528045036
|
LOK |
|
|
|0 008 210528||||||||||||||||ger|||||||
|
LOK |
|
|
|0 035
|a (DE-Tue135)1738977277_2021_390
|
LOK |
|
|
|0 040
|a DE-Tue135
|c DE-627
|d DE-Tue135
|
LOK |
|
|
|0 092
|o n
|
LOK |
|
|
|0 852
|a DE-Tue135
|
LOK |
|
|
|0 852 1
|9 00
|
LOK |
|
|
|0 935
|a imwa
|a ixau
|a ixrk
|
ORI |
|
|
|a SA-MARC-ixtheoa001.raw
|