The Layout of the Song of Moses (Deut 32) in Masoretic Manuscripts and Biblia Hebraica Quinta
Illustrating with the Song of Moses, Dominique Barthélemy argued the importance, in the preparation of a critical edition, of distinguishing the work of the copyist from that of the Masorete in Masoretic manuscripts. This article reviews the argument and considers its application in the layout of th...
| Autres titres: | Papers in honour of Roger Omanson, Part 2 |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Sage
2013
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| Dans: |
The Bible translator
Année: 2013, Volume: 64, Numéro: 2, Pages: 159-172 |
| Sujets non-standardisés: | B
Deuteronomy 32
B Leningrad B19A B Masoretic manuscripts B Aleppo Codex B Biblia Hebraica Quinta |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Résumé: | Illustrating with the Song of Moses, Dominique Barthélemy argued the importance, in the preparation of a critical edition, of distinguishing the work of the copyist from that of the Masorete in Masoretic manuscripts. This article reviews the argument and considers its application in the layout of the Song in Biblia Hebraica Quinta. |
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| ISSN: | 2051-6789 |
| Contient: | Enthalten in: The Bible translator
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| Persistent identifiers: | DOI: 10.1177/2051677013491870 |