The poetry demon: song-Dynasty monks on verse and the way
Gāthā in Pre-Song and Song Contexts -- Jisong in Practice -- Poetry Is Not the Way -- Poetry as Outer Learning: The Poetry Demon -- Parting Poetry -- Personal Lamentations and Funerary Verse
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Honolulu
University of Hawaiʻi Press
2021
|
| In: |
Studies in East Asian buddhism (29)
Year: 2021 |
| Series/Journal: | Studies in East Asian buddhism
29 |
| Standardized Subjects / Keyword chains: | B
China
/ Buddhism
/ Monk
/ Poetry (term, motif) (Concept of)
/ Poetry
/ Text analysis
/ Song dynasty (960-1279)
B Thesis |
| Further subjects: | B
Monks' writings
History and criticism
B Chinese Poetry Buddhist authors History and criticism B Zen poetry, Chinese History and criticism |
| Parallel Edition: | Electronic
|
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| 109 | |a Protass, Jason | ||
| 245 | 1 | 4 | |a The poetry demon |b song-Dynasty monks on verse and the way |c Jason Protass |
| 264 | 1 | |a Honolulu |b University of Hawaiʻi Press |c 2021 | |
| 300 | |a xiv, 334 Seiten | ||
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| 490 | 1 | |a Studies in East Asian Buddhism |v 29 | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Gāthā in Pre-Song and Song Contexts -- Jisong in Practice -- Poetry Is Not the Way -- Poetry as Outer Learning: The Poetry Demon -- Parting Poetry -- Personal Lamentations and Funerary Verse | ||
| 520 | |a "Chinese Buddhist monks of the Song dynasty (960-1279) called the irresistible urge to compose poetry "the poetry demon." In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong'an (Jpn. kōan) tradition, very little is known about the large corpora-roughly 30,000 extant poems-composed by these monastics. Protass addresses the oversight by using strategies associated with religious studies, literary studies, and sociology. He weaves together poetry with a wide range of monastic sources and in doing so argues against positing a "literary Chan" movement that wrote poetry as a path to awakening; he instead presents an understanding of monks' poetry grounded in the Song discourse of monks themselves. The work begins by examining how monks fashioned new genres, created their own books, and fueled a monastic audience for monks' poetry. It traces the evolution of gāthā from hymns found in Buddhist scripture to an independent genre for poems associated with Chan masters as living buddhas. While Song monastic culture produced a prodigious amount of verse, at the same time it promoted prohibitions against monks' participation in poetry as a worldly or Confucian art: This constructive tension was an animating force. The Poetry Demon highlights this and other intersections of Buddhist doctrine with literary sociality and charts productive pathways through numerous materials, including collections of Chan "recorded sayings," monastic rulebooks, "eminent monk" and "flame record" hagiographies, manuscripts of poetry, Buddhist encyclopedia, primers, and sūtra commentary. Two chapter-length case studies illustrate how Song monks participated in two of the most prominent and conservative modes of poetry of the time, those of parting and mourning. Protass reveals how monks used Chan humor with reference to emptiness to transform acts of separation into Buddhist teachings. In another chapter, monks in mourning expressed their grief and dharma through poetry. The Poetry Demon impressively uncovers new and creative ways to study Chinese Buddhist monks' poetry while contributing to the broader study of Chinese religion and literature"-- | ||
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