Beauty and the beast: on a doe, a devilish hunter, and jewish-christian polemics

Hunting scenes are common in Jewish illuminated manuscripts and are understood as allegories of the Jew, usually represented as a hare or a deer, being persecuted by the Christian, shown as a hunter and his dogs. This article will discuss a hunt scene from the Worms Maḥzor, an Ashkenazic illuminated...

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Subtitles:Research Article
主要作者: Ofenberg, Śarah 1978- (Author)
格式: 电子 文件
语言:English
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出版: University of Pennsylvania Press [2020]
In: AJS review
Year: 2020, 卷: 44, 发布: 2, Pages: 269-285
Standardized Subjects / Keyword chains:B 泥金装饰手抄本 / 狩猎 / 动物 / 祈祷书 / Worms / tôrah / Esau, 圣经人物 / Jesus Christus
IxTheo Classification:BH Judaism
CA Christianity
在线阅读: Volltext (lizenzpflichtig)
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总结:Hunting scenes are common in Jewish illuminated manuscripts and are understood as allegories of the Jew, usually represented as a hare or a deer, being persecuted by the Christian, shown as a hunter and his dogs. This article will discuss a hunt scene from the Worms Maḥzor, an Ashkenazic illuminated prayer book produced in 1272, probably in Würzburg. At the top of folio 130r, an illumination of the piyyut (liturgical poem) “ʾAyelet ʾahavim” (the loving hind, or doe) for Shavuot displays a deer being hunted by a devilish hunter and his dogs. Examining the illustration in the context of contemporary textual evidence, I shall demonstrate that the deer in the Worms Maḥzor portrays the Torah itself being persecuted by the hunter, who can be understood not only as a Christian or Esau, but also as Jesus.
ISSN:1475-4541
Contains:Enthalten in: Association for Jewish Studies, AJS review
Persistent identifiers:DOI: 10.1017/S0364009420000057