Beauty and the beast: on a doe, a devilish hunter, and jewish-christian polemics
Hunting scenes are common in Jewish illuminated manuscripts and are understood as allegories of the Jew, usually represented as a hare or a deer, being persecuted by the Christian, shown as a hunter and his dogs. This article will discuss a hunt scene from the Worms Maḥzor, an Ashkenazic illuminated...
| Altri titoli: | Research Article |
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| Autore principale: | |
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Journals Online & Print: | Caricamento...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Pubblicazione: |
University of Pennsylvania Press
[2020]
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| In: |
AJS review
Anno: 2020, Volume: 44, Fascicolo: 2, Pagine: 269-285 |
| (sequenze di) soggetti normati: | B
Manoscritto miniato
/ Caccia
/ Animali
/ Machzor
/ Worms
/ tôrah
/ Esau, Personaggio biblico
/ Jesus Christus
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| Notazioni IxTheo: | BH Ebraismo CA Cristianesimo |
| Accesso online: |
Volltext (lizenzpflichtig) |
| Riepilogo: | Hunting scenes are common in Jewish illuminated manuscripts and are understood as allegories of the Jew, usually represented as a hare or a deer, being persecuted by the Christian, shown as a hunter and his dogs. This article will discuss a hunt scene from the Worms Maḥzor, an Ashkenazic illuminated prayer book produced in 1272, probably in Würzburg. At the top of folio 130r, an illumination of the piyyut (liturgical poem) “ʾAyelet ʾahavim” (the loving hind, or doe) for Shavuot displays a deer being hunted by a devilish hunter and his dogs. Examining the illustration in the context of contemporary textual evidence, I shall demonstrate that the deer in the Worms Maḥzor portrays the Torah itself being persecuted by the hunter, who can be understood not only as a Christian or Esau, but also as Jesus. |
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| ISSN: | 1475-4541 |
| Comprende: | Enthalten in: Association for Jewish Studies, AJS review
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| Persistent identifiers: | DOI: 10.1017/S0364009420000057 |