The Fantastic of the Everyday: Re-Forming Definitions of Cinematic Parables with Paul Ricoeur
Recent publications on theology and film attempting to explain what a parable is remain less clear about how or why a parable works for cinema, and many definitions do not fully take into account the formal dynamics of film qua film nor parable qua parable. I seek to demonstrate the benefits of a mo...
| Τόπος έκδοσης: | Horizons |
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| Κύριος συγγραφέας: | |
| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
Cambridge Univ. Press
[2020]
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| Στο/Στη: |
Horizons
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| Σημειογραφίες IxTheo: | KAJ Εκκλησιαστική Ιστορία 1914-, Σύγχρονη Εποχή RA Πρακτική Θεολογία VB Λογική, Φιλοσοφική Ερμηνευτική, Φιλοσοφικό δόγμα της γνώσης |
| Άλλες λέξεις-κλειδιά: | B
theocinematics
B Paul Ricoeur B film and theology B Parable B Allegory B Hermeneutics B Theological Aesthetics B Metaphor |
| Διαθέσιμο Online: |
Volltext (Verlag) Volltext (doi) |
| Σύνοψη: | Recent publications on theology and film attempting to explain what a parable is remain less clear about how or why a parable works for cinema, and many definitions do not fully take into account the formal dynamics of film qua film nor parable qua parable. I seek to demonstrate the benefits of a more precise conception of cinematic parables by utilizing philosopher Paul Ricoeur's understanding of "parable" to make theological interpretations of film that take audio-visual aesthetics into consideration. I conclude with three recent examples of cinematic parables in order to demonstrate this Ricoeurian parabolic hermeneutic: Asghar Farhadi's Iranian melodrama, A Separation (2011), American filmmaker Anna Rose Holmer's enigmatic The Fits (2016), and Aki Kaurismäki's droll Finnish comedy, The Other Side of Hope (2017). Ultimately, I make a case for film as theology, what I am calling "theocinematics." |
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| ISSN: | 2050-8557 |
| Περιλαμβάνει: | Enthalten in: Horizons
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| Persistent identifiers: | DOI: 10.1017/hor.2020.104 |