A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered
While the only extensive discussion of music in Kierkegaard’s work is the famous treatise based on Mozart’s opera Don Giovanni in the first part of the pseudonymous Either/Or (1843), Kierkegaard did write other brief passages, in which he made comments on musical aspects. Two recent articles have po...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
De Gruyter
[2020]
|
In: |
Kierkegaard studies. Yearbook
Year: 2020, Volume: 25, Issue: 1, Pages: 3-13 |
IxTheo Classification: | CD Christianity and Culture KAH Church history 1648-1913; modern history |
Online Access: |
Volltext (Verlag) Volltext (doi) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1749191652 | ||
003 | DE-627 | ||
005 | 20210618161459.0 | ||
007 | cr uuu---uuuuu | ||
008 | 210223s2020 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.1515/kierke-2020-0001 |2 doi | |
035 | |a (DE-627)1749191652 | ||
035 | |a (DE-599)KXP1749191652 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 1 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)13307076X |0 (DE-627)533321409 |0 (DE-576)187922616 |4 aut |a Petersen, Nils Holger |d 1946- | |
109 | |a Petersen, Nils Holger 1946- |a Petersen, Nils H. 1946- | ||
245 | 1 | 2 | |a A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered |
264 | 1 | |c [2020] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a While the only extensive discussion of music in Kierkegaard’s work is the famous treatise based on Mozart’s opera Don Giovanni in the first part of the pseudonymous Either/Or (1843), Kierkegaard did write other brief passages, in which he made comments on musical aspects. Two recent articles have pointed to attitudes toward music in such passages which seem to differ from the negative evaluation of music as a religious or theological medium in the first part of Either/Or by the fictitious aesthete A. With a point of departure in the two mentioned articles, I attempt to further discuss the possible relationship between the ethical and the aesthetic in Kierkegaard’s musical thought, involving passages from both parts of Either/Or as well as a few journal-entries. Finally, Erika Fischer-Lichte’s distinction between staging and performativity is brought to bear on these issues. | ||
601 | |a Kierkegaard, Søren | ||
601 | |a Performance | ||
652 | |a CD:KAH | ||
773 | 0 | 8 | |i Enthalten in |t Kierkegaard studies. Yearbook |d Berlin [u.a.] : De Gruyter, 1996 |g 25(2020), 1, Seite 3-13 |h Online-Ressource |w (DE-627)369083393 |w (DE-600)2118444-6 |w (DE-576)107015773 |x 1612-9792 |7 nnns |
773 | 1 | 8 | |g volume:25 |g year:2020 |g number:1 |g pages:3-13 |
856 | 4 | 0 | |u https://www.degruyter.com/document/doi/10.1515/kierke-2020-0001/html |x Verlag |
856 | |u https://doi.org/10.1515/kierke-2020-0001 |x doi |3 Volltext | ||
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 387090691X | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1749191652 | ||
LOK | |0 005 20210830125202 | ||
LOK | |0 008 210223||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
LOK | |0 936ln |0 1442043857 |a CD | ||
LOK | |0 936ln |0 1442044624 |a KAH | ||
ORI | |a SA-MARC-ixtheoa001.raw |