Kanda Sōtei: The Shogun’s Sacred Painters and their Realm of Influence
The sacrosanct painting atelier of Kan’eiji was headed throughout the Edo period by successive generations of the holder of the name Kanda Sōtei. Despite its special mandate, it has remained largely disregarded to this day, partly due to its alleged artistic conservatism and the limited number of re...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Nanzan Institute
2020
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| In: |
Japanese journal of religious studies
Year: 2020, Volume: 47, Issue: 2, Pages: 305-340 |
| Standardized Subjects / Keyword chains: | B
Kan'eiji (Tokyo)
/ Religious painting
/ Workshop
/ Edo period
/ Tiantai Buddhism
/ Shintoism
|
| IxTheo Classification: | AD Sociology of religion; religious policy AG Religious life; material religion BL Buddhism BN Shinto KBM Asia |
| Further subjects: | B
Deification
B cultural memory B Iconology B Visual Culture B Tendai B Painting |
| Online Access: |
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