Kanda Sōtei: The Shogun’s Sacred Painters and their Realm of Influence

The sacrosanct painting atelier of Kan’eiji was headed throughout the Edo period by successive generations of the holder of the name Kanda Sōtei. Despite its special mandate, it has remained largely disregarded to this day, partly due to its alleged artistic conservatism and the limited number of re...

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Bibliographic Details
Main Author: Steineck, Tomoë I. M. (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Nanzan Institute 2020
In: Japanese journal of religious studies
Year: 2020, Volume: 47, Issue: 2, Pages: 305-340
Standardized Subjects / Keyword chains:B Kan'eiji (Tokyo) / Religious painting / Workshop / Edo period / Tiantai Buddhism / Shintoism
IxTheo Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
BL Buddhism
BN Shinto
KBM Asia
Further subjects:B Deification
B cultural memory
B Iconology
B Visual Culture
B Tendai
B Painting
Online Access: Volltext (kostenfrei)
Volltext (kostenfrei)

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