Art, Trent, and Michelangelo’s “Last Judgment”
Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures. Twenty-two years later, 1564, the nudity was painted over, an action attributed to the Council o...
Autor principal: | |
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Tipo de documento: | Recurso Electrónico Artigo |
Idioma: | Inglês |
Verificar disponibilidade: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publicado em: |
MDPI
[2012]
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Em: |
Religions
Ano: 2012, Volume: 3, Número: 2, Páginas: 344-356 |
Outras palavras-chave: | B
lascivious
B Council of Trent B Charles de Guise B Catherine de’ Medici B Michelangelo B Iconoclasm |
Acesso em linha: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
Resumo: | Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures. Twenty-two years later, 1564, the nudity was painted over, an action attributed to the Council of Trent, 1545-1563. To what extent is that attribution correct? |
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ISSN: | 2077-1444 |
Obras secundárias: | Enthalten in: Religions
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Persistent identifiers: | DOI: 10.3390/rel3020344 |