Realtà Estesa, Virtuale, Aumentata E Mixata Nella Condizione Postmediale
In the first part of the article, I propose a typology of contemporary visual and audiovisual media, based on their degree of immersiveness. This typology is articulated by three parameters: the perceived position of the viewers with respect to the images; the degree and ways of perceptual manipulat...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Italian |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Morcelliana
[2020]
|
| In: |
Hermeneutica
Year: 2020, Volume: 27, Pages: 131-143 |
| IxTheo Classification: | RH Evangelization; Christian media ZD Psychology |
| Further subjects: | B
Post-media Condition
B Media Semiotics B Extended Reality B Regimes of Presence |
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| 520 | |a In the first part of the article, I propose a typology of contemporary visual and audiovisual media, based on their degree of immersiveness. This typology is articulated by three parameters: the perceived position of the viewers with respect to the images; the degree and ways of perceptual manipulation of the images by the viewers; the degree and ways of manipulation of narrative events by the viewers. In this way, four types of media are highlighted: bystanding, bystanding-immersive, moderate immersive, radical immersive. In the second part of the paper, I analyze the four types of media from a semiotic perspective and in the light of the category of “presence”. I argue that each of them sets a specific regime of presence between the viewers and the surrounding worlds; and that it does so by assigning to the viewers a specific enunciational position: in particular the viewers, from simple recipients of the images, become more and more radically co-responsible of them, through their own gestures and looks. | ||
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