When Guanyin Encounters Madonna: Rethinking on Chinese Madonna from the Field Museum of Natural History, Chicago
Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to fi...
| Publicado no: | Buddhist Christian studies |
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| Autor principal: | |
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
University of Hawaii Press
[2020]
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| Em: |
Buddhist Christian studies
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| (Cadeias de) Palavra- chave padrão: | B
Field Museum of Natural History
/ Representação de Maria
/ Guanyin
/ Salus Populi Romani
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| Classificações IxTheo: | BL Budismo KBM Ásia NBJ Mariologia |
| Outras palavras-chave: | B
Buddhism
B cultural exchanges B Madonna B Christianity B Guanyin |
| Acesso em linha: |
Volltext (Verlag) Volltext (doi) |
| Resumo: | Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to figure out the relationship between this painting and Salus Populi Romani in Santa Maria Maggiore, Rome, its original painter, creation time, and actual theme. |
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| ISSN: | 1527-9472 |
| Obras secundárias: | Enthalten in: Buddhist Christian studies
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| Persistent identifiers: | DOI: 10.1353/bcs.2020.0019 |