When Guanyin Encounters Madonna: Rethinking on Chinese Madonna from the Field Museum of Natural History, Chicago
Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to fi...
| Publié dans: | Buddhist Christian studies |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Hawaii Press
[2020]
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| Dans: |
Buddhist Christian studies
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| Sujets / Chaînes de mots-clés standardisés: | B
Field Museum of Natural History
/ Représentation de la Vierge Marie
/ Guanyin
/ Salus Populi Romani
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| Classifications IxTheo: | BL Bouddhisme KBM Asie NBJ Mariologie |
| Sujets non-standardisés: | B
Buddhism
B cultural exchanges B Madonna B Christianity B Guanyin |
| Accès en ligne: |
Volltext (Verlag) Volltext (doi) |
| Résumé: | Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to figure out the relationship between this painting and Salus Populi Romani in Santa Maria Maggiore, Rome, its original painter, creation time, and actual theme. |
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| ISSN: | 1527-9472 |
| Contient: | Enthalten in: Buddhist Christian studies
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| Persistent identifiers: | DOI: 10.1353/bcs.2020.0019 |