Vom "Vernünfftigen Vrtheil" in der Comoedia: deutsche Salomo-Dramen im 17. Jahrhundert
The paper assumes that King Solomon is a biblical hero, who is not suited for drama. The small number of early modern plays in Germany supports this view. To illustrate this, first an overview of German plays on Solomon is given. In addition, two dramas written by Lutheran authors and one written by...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Deutsche Bibelgesellschaft
[2018]
|
| In: |
Die Bibel in der Kunst
Year: 2018, Volume: 2, Pages: 1-14 |
| Standardized Subjects / Keyword chains: | B
Solomon Israel, King
/ Drama
/ Germany
/ Lutherans
/ Jesuit drama
|
| IxTheo Classification: | HB Old Testament |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | The paper assumes that King Solomon is a biblical hero, who is not suited for drama. The small number of early modern plays in Germany supports this view. To illustrate this, first an overview of German plays on Solomon is given. In addition, two dramas written by Lutheran authors and one written by the Jesuits are examined in more detail. Thereby it is also shown that Solomon is a biblical hero, who challenges the writers of the early modern age because of his rich facet. |
|---|---|
| Contains: | Enthalten in: Die Bibel in der Kunst
|