Salomo in Barock und Moderne - ein interdisziplinäres Kaleidoskop
The reception of King Solomon shows a huge variety of aspects, motifs and traditions. Thus, he became a useful tool for different eras and their respective necessities. This paper outlines the main facets of the biblical and non-biblical Solomon and describes how they come together, complement or co...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Deutsche Bibelgesellschaft
[2017]
|
| In: |
Die Bibel in der Kunst
Year: 2017, Volume: 1, Pages: 1-26 |
| Standardized Subjects / Keyword chains: | B
Solomon Israel, King
/ Character presentation
/ Baroque
/ The Modern
/ Reception
B Solomon Israel, King / Reader-response criticism / Intellectual history 1600-1750 / Character presentation / Barok / The Modern |
| IxTheo Classification: | HB Old Testament |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a The reception of King Solomon shows a huge variety of aspects, motifs and traditions. Thus, he became a useful tool for different eras and their respective necessities. This paper outlines the main facets of the biblical and non-biblical Solomon and describes how they come together, complement or contradict each other in different times, genres and traditions. The focus lies especially on literature and music in the era of Baroque (1600–1750) and Modern Times in German speaking countries. It becomes obvious that biblical reception always includes a reception of the time of reception itself. Solomon, who has been explained by his receptions, in his turn explains their own time to themselves. | ||
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