Ecotheological Relationships in Elizabeth Barrett’s “A Drama of Exile”

Elizabeth Barrett’s 1844 lyric-drama “A Drama of Exile”—typically interpreted as a poem about Adam and Eve in their first condition after the Fall—is more broadly a poem about the parallel movement of all members of creation from innocence to lament to aggression to grace. In the poem, Barrett exami...

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主要作者: Dieleman, Karen (Author)
格式: 电子 文件
语言:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
出版: [2020]
In: Christianity & literature
Year: 2020, 卷: 69, 发布: 3, Pages: 418-438
IxTheo Classification:CD Christianity and Culture
KAH Church history 1648-1913; modern history
NBD Doctrine of Creation
NBF Christology
Further subjects:B Nature
B Christology
B Creation
B “A Drama of Exile”
B Ecotheology
B Elizabeth Barrett
在线阅读: Volltext (Publisher)
Volltext (lizenzpflichtig)
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总结:Elizabeth Barrett’s 1844 lyric-drama “A Drama of Exile”—typically interpreted as a poem about Adam and Eve in their first condition after the Fall—is more broadly a poem about the parallel movement of all members of creation from innocence to lament to aggression to grace. In the poem, Barrett examines four possible paradigms for the postlapsarian relationship among members of creation: the human dominion model, advocated by Adam; the human subjection model, advocated by Eve; the Earth dominion model, advocated by Earth spirits; and the model of mutual blessing, advocated by Christ. Though it remains problematic in some of its assertions, this last model aligns with a Christology that holds that the natural world deserves justice and participates with humanity in cosmological hope and renewal.
ISSN:2056-5666
Contains:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1353/chy.2020.0041