Interlude. "But are as the angels which are in heaven" (Mark 12:25): reimagining a gender-ambiguous heaven in Dorian Electra's Adam & Steve
The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay rete...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Institut f. Fundamentaltheologie
[2020]
|
In: |
Journal for religion, film and media
Year: 2020, Volume: 6, Issue: 2, Pages: 86-89 |
Standardized Subjects / Keyword chains: | B
Adam & Steve (Song)
/ Genesis
/ Bible. Markusevangelium 12,25
/ Reception
/ Gender-specific role
/ Queer theology
|
IxTheo Classification: | CB Christian life; spirituality CE Christian art HA Bible ZA Social sciences |
Further subjects: | B
queer readings of biblical texts
B Dorian Electra B Adam and Steve B Pop Culture B Theological Anthropology |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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520 | |a The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay retelling of the Genesis story. It turns on the derogative phrase: It‘s Adam and Eve, not Adam and Steve that is used to imply an irreconcilable disparity between Christianity and gay love, i.e. queerness in general ... | ||
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