Three Religious-Cultural Worldviews in Noah (2014)—Hedonism, Fundamentalism, and Ecofeminism
The article proposes an interpretative study of Darren Aronofsky’s film Noah. The film draws inspiration from various spiritual traditions ranging from shamanism to Buddhism, whilst relying heavily on Jewish midrash, and adds a layer of innovation. Our main assertion is that the film attempts to pre...
| Главные авторы: | ; |
|---|---|
| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
[2020]
|
| В: |
Journal of religion and popular culture
Год: 2020, Том: 32, Выпуск: 2, Страницы: 144-158 |
| Нормированные ключевые слова (последовательности): | B
Noah (Фильм (мотив))
/ Гедонизм
/ Фундаментализм (мотив)
/ Экофеминизм
|
| Индексация IxTheo: | AD Социология религии CB Христианская жизнь CD Христианство и культура HB Ветхий Завет |
| Другие ключевые слова: | B
Bible and Film
B Flood myth B Fundamentalism B Noah B Ecofeminism B New Age and Alternative Spiritualities |
| Online-ссылка: |
Volltext (Publisher) Volltext (doi) |
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| 520 | |a The article proposes an interpretative study of Darren Aronofsky’s film Noah. The film draws inspiration from various spiritual traditions ranging from shamanism to Buddhism, whilst relying heavily on Jewish midrash, and adds a layer of innovation. Our main assertion is that the film attempts to present three viewpoints on issues of religion, humanity, nature, and God—while negating two of them and preferring one. Each of the various characters and groups in the film represents one of the three stances, as the film’s protagonist must cope with the problematic nature of his worldview and revisit it. The film engages with current pivotal issues: climate change, the depletion of natural resources, materialism and hedonism, fundamentalism in both religious and environmental trends, suspicion of religious institutionalized interpretations, and gendered spiritual religious beliefs. Thus, the film Noah is a cultural product that disseminates spiritual ideas and values within mainstream culture. | ||
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| STE | 0 | 0 | |a 享乐主义,基要主义,基要主义,基本教义派,原教旨主义,基本教义派,原教旨主义 |
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