Screen shots: state violence on camera in Israel and Palestine

Introduction : the dream of the perfect camera -- Sniper portraiture : militarizing personal technologies -- Cameras under curfew : infrastructures of constraint -- Settler scripts : the rise of Israeli "fake news" -- Rights on screen : curating state violence -- The military's lament...

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Bibliographic Details
Main Author: Stein, Rebecca L. 1969- (Author)
Format: Print Book
Language:English
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WorldCat: WorldCat
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Stanford, California Stanford University Press [2021]
In:Year: 2021
Reviews:[Rezension von: Stein, Rebecca L., 1969-, Screen shots : state violence on camera in Israel and Palestine] (2023) (Stokes, Joel)
Series/Journal:Stanford studies in Middle Eastern and Islamic societies and cultures
Standardized Subjects / Keyword chains:B Israel / Palestine / Audio-visual media / Influence / Digital cameras
B Middle East conflict / Human rights violation / Attest
Further subjects:B Documentary photography Political aspects (Palestine)
B Video recordings Political aspects (Israel)
B Video recordings Political aspects (Palestine)
B Political Violence (Palestine)
B Arab-Israeli conflict 1993- Photography
B Arab-Israeli conflict 1993- Mass media and the conflict
B Documentary photography Political aspects (Israel)
B Political Violence (Israel)
Online Access: Inhaltsverzeichnis (Aggregator)

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520 |a "In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-utopianism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age"-- 
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