The texture of images: the relic book in late-medieval religiosity and early modern aesthetics

The diversification of the genre.

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Bibliographic Details
Main Author: Cárdenas, Livia (Author)
Contributors: Simon, Anne (Translator)
Format: Print Book
Language:English
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Published: Leiden Boston Brill [2021]
In: Library of the written word (volume 85)
Year: 2021
Series/Journal:Library of the written word volume 85
Library of the written word / The handpress world volume 66
Standardized Subjects / Keyword chains:B Relics list / Relic / Book / Middle Ages
Further subjects:B Books and reading Religious aspects Christianity
B Authenticity (Philosophy)
B Books and reading (Europe, German-speaking) History 16th century
B Aesthetics, Renaissance
B Christian saints Cult (Europe, German-speaking)
B Aesthetics, Medieval
B Relic books
Online Access: Table of Contents

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245 1 4 |a The texture of images  |b the relic book in late-medieval religiosity and early modern aesthetics  |c by Livia Cárdenas ; translated by Anne Simon 
263 |a 2012 
264 1 |a Leiden  |a Boston  |b Brill  |c [2021] 
300 |a XXVI, 548 Seiten  |b Illustrationen 
336 |a Text  |b txt  |2 rdacontent 
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490 1 |a Library of the written word  |v volume 85  |a The handpress world  |v volume 66 
500 |a Includes bibliographical references and index 
520 |a The diversification of the genre. 
520 |a Relic books. Mimesis as politics -- Competition between cities and printers -- Speculating on similarity -- Familiar means-new piety -- Aesthetic enhancement -- The relic book as stage mask : the media staging of social climbing and the accumulation of salvation -- Troy, Rome, Halle : history and genealogy -- Synthesis of a genre. The mediality of the relic book -- The texture of the book. 
520 |a "This study is the first fundamental analysis and synopsis of the printed relic-book genre. Printed relic books represent, both by image and text, precious reliquaries, which were presented to the faithful audience during special liturgical feasts, the display of relics. This study brings into focus the specific aesthetics of these relic books and explores the immense influence that patrons had on figuration as well as on the forms of these books. The analysis focuses on the interaction of image and text as manifestation of authenticity. This book then contributes to clarifying the complex medial role of printing with movable type in its early period and offers a novel interpretation of the cultural significance of artefacts in the Renaissance"-- 
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650 0 |a Aesthetics, Renaissance 
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