Three Lost Miniatures in Codex Sinopensis: (Paris, Bibliothèque Nationale De France, Supplément Grec 1286; Gregory-Aland O/023)
Codex Sinopensis (Paris, Bibliothèque nationale de France, supplément grec 1286; Gregory-Aland O/023) is one of the earliest examples of an illuminated gospel book. This article examines instances of transferred paint in the codex along with textual and paratextual features to identify three lost mi...
Main Author: | |
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Format: | Print Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Tyndale House
[2020]
|
In: |
Tyndale bulletin
Year: 2020, Volume: 71, Issue: 1, Pages: 1-18 |
Standardized Subjects / Keyword chains: | B
Codex Sinopensis
/ Miniature
/ Bible. Matthäusevangelium 17,24-27
/ Matthew
/ Entry into Jerusalem
|
IxTheo Classification: | CE Christian art HC New Testament KAD Church history 500-900; early Middle Ages |
Further subjects: | B
Bible. New Testament; Manuscripts
B Bible. Matthew B Lost works of art B Laborers in the vineyard (Parable) B Coin in the fish's mouth (Miracle) B Bible; Illustrations B Jesus Christ B Illumination of books and manuscripts |
Parallel Edition: | Electronic
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520 | |a Codex Sinopensis (Paris, Bibliothèque nationale de France, supplément grec 1286; Gregory-Aland O/023) is one of the earliest examples of an illuminated gospel book. This article examines instances of transferred paint in the codex along with textual and paratextual features to identify three lost miniatures that once adorned the pages of Codex Sinopensis. Thus, our knowledge of one of the earliest cycles of miniatures in a gospel book can be extended with the addition of the three identifiable but now-lost miniatures: The Miracle of the Coin from the Mouth of the Fish (Matthew 17:24–18:4), the Parable of the Labourers in the Vineyard (Matthew 19:25–20:9), and Christ’s Entrance into Jerusalem (Matthew 21:5-12). | ||
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