Old statues, new meanings. Literary, epigraphic and archaeological evidence for Christian reidentification of statuary
This article examines literary, epigraphic and archaeological evidence for the Christian reidentification of statuary and reliefs as biblical scenes and protagonists, saints and angels. It argues that Christian identifications were promulgated, amongst others by local bishops, to make sense of image...
| 主要作者: | |
|---|---|
| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | 載入...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
De Gruyter
[2020]
|
| In: |
Byzantinische Zeitschrift
Year: 2020, 卷: 113, 發布: 3, Pages: 789-836 |
| Further subjects: | B
教父學
B 歷史 B Theologie und Religion B Altertumswissenschaften B Diverses B Historische Epochen B 拜占庭研究 |
| 在線閱讀: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 245 | 1 | 0 | |a Old statues, new meanings. Literary, epigraphic and archaeological evidence for Christian reidentification of statuary |
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| 520 | |a This article examines literary, epigraphic and archaeological evidence for the Christian reidentification of statuary and reliefs as biblical scenes and protagonists, saints and angels. It argues that Christian identifications were promulgated, amongst others by local bishops, to make sense of imagery of which the original identity had been lost and/or was no longer meaningful. Three conditions for a new identification are discussed: the absence of an epigraphic label, geographical and/or chronological distance separating the statue from its original context of display, and the presence of a specific attribute or characteristic that could become the prompt for reidentification. In their manipulation and modernization of older statuary, Christians showed a much greater appreciation of the statuary medium than generally assumed. | ||
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