Challenging Confinement: The Redress of Captivity in La gran sultana

In La gran sultana doña Catalina de Oviedo (1615), Miguel de Cervantes presents an implausible story line in which the Ottoman sultan offers Spanish captive Catalina de Oviedo autonomy and imperial authority in return for her hand in marriage. Although she remains physically confined to the harem of...

Description complète

Enregistré dans:  
Détails bibliographiques
Publié dans:The sixteenth century journal
Auteur principal: Boll, Jessica R. (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Journals Online & Print:
En cours de chargement...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Sixteenth Century Journal Publishers, Inc. [2019]
Dans: The sixteenth century journal
Année: 2019, Volume: 50, Numéro: 4, Pages: 1001-1016
Classifications IxTheo:CD Christianisme et culture
KAH Époque moderne
KBH Péninsule Ibérique
NCF Éthique sexuelle
ZC Politique en général
Sujets non-standardisés:B LA Gran Sultana (Play)
B CERVANTES Saavedra, Miguel de, 1547-1616
B CLASSICAL Period Spanish literature
B SPANIARDS in literature
B HAREMS IN LITERATURE
B LITERATURE & history
B Ottoman Empire
B TURKISH history; Murad III, 1574-1595
Description
Résumé:In La gran sultana doña Catalina de Oviedo (1615), Miguel de Cervantes presents an implausible story line in which the Ottoman sultan offers Spanish captive Catalina de Oviedo autonomy and imperial authority in return for her hand in marriage. Although she remains physically confined to the harem of Constantinople, Catalina negotiates the conditions of his proposal in order to preserve the signifiers of her Spanish identity. Although critics have long debated the historicity of the drama, recent scholarship has clarified the play’s historical indebtedness. The present essay examines precisely how and why Cervantes turns to history, both in terms of the space of the harem and the women within, as a means to avenge his own captivity. Through the unlikely figure of Catalina, Cervantes is able to both re-dress and redress the captive experience as he simultaneously rejects and reconciles his own afflicted past.
ISSN:2326-0726
Contient:Enthalten in: The sixteenth century journal