Ad Petram unde excisi sumus: memoria, estudio y espiritualidad observante en el siglo XV = Ad Petram unde excisi sumus : Memory, study and observant spirituality in the 15th century
At the end of the Middle Ages, due to the spiritual crisis, religious orders initiated a complex reform process based on the emulation of their respective founders and spiritual fathers’ charism, in which images played a key role. The study and the necessity to properly instruct the members of the d...
| Άλλοι τίτλοι: | Ad Petram unde excisi sumus |
|---|---|
| Κύριος συγγραφέας: | |
| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Ισπανικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
[2020]
|
| Στο/Στη: |
Hispania sacra
Έτος: 2020, Τόμος: 72, Τεύχος: 145, Σελίδες: 177-189 |
| Σημειογραφίες IxTheo: | CB Χριστιανική ύπαρξη, Πνευματικότητα CE Χριστιανική τέχνη KAF Εκκλησιαστική Ιστορία 1300-1500, Ύστερος Μεσαίωνας KCA Θρησκευτικά Τάγματα, Μοναχισμός |
| Άλλες λέξεις-κλειδιά: | B
reforma religiosa
B Study B observant movement B Memory B estudio B siglo XV B movimiento observante B religious reform B Memoria B 15th Century |
| Διαθέσιμο Online: |
Volltext (doi) Volltext (kostenfrei) |
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| 245 | 1 | 0 | |a Ad Petram unde excisi sumus |b memoria, estudio y espiritualidad observante en el siglo XV = Ad Petram unde excisi sumus : Memory, study and observant spirituality in the 15th century |
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| 520 | |a At the end of the Middle Ages, due to the spiritual crisis, religious orders initiated a complex reform process based on the emulation of their respective founders and spiritual fathers’ charism, in which images played a key role. The study and the necessity to properly instruct the members of the different religious communities also became a subject of discussion, as some of the artworks conceived in the framework of this reform atmosphere manifest. | ||
| 520 | |a Ante la crisis espiritual experimentada a fines de la Edad Media, las órdenes religiosas iniciaron un complejo proceso de reforma fundamentado en el recuerdo y la emulación del carisma de sus respectivos fundadores y padres espirituales, en el que las imágenes habrían de desempeñar un papel fundamental. El estudio y la necesidad de instruir adecuadamente a los miembros de las distintas comunidades religiosas se convirtieron entonces en objeto de debate, quedando esta inquietud plasmada en alguna de las principales manifestaciones artísticas gestadas en este ambiente de reforma. | ||
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