A Parasociology: Jean Genet in the Age of Celebrity Worship

In 1956, American researchers Horton and Wohl coined the term “para-social interaction,” defined as the bond of intimacy that a consumer of media feels towards the “image” of the performer. Later developed into the notion of “celebrity worship” by researchers, “parasociality” has a relationship to t...

Ausführliche Beschreibung

Gespeichert in:  
Bibliographische Detailangaben
Veröffentlicht in:Religion and the arts
1. VerfasserIn: Lucas, Kevin (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
Journals Online & Print:
Lade...
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: Brill [2020]
In: Religion and the arts
Jahr: 2020, Band: 24, Heft: 3, Seiten: 290-317
normierte Schlagwort(-folgen):B Genet, Jean-Pierre 1928- / Parasoziale Interaktion / Durkheim, Émile 1858-1917 / Religionssoziologie
IxTheo Notationen:AD Religionssoziologie; Religionspolitik
ZB Soziologie
weitere Schlagwörter:B para-social interaction
B Jean Genet
B sociology of religion
B celebrity culture
B the sacred
Online Zugang: Volltext (Verlag)
Volltext (doi)
Beschreibung
Zusammenfassung:In 1956, American researchers Horton and Wohl coined the term “para-social interaction,” defined as the bond of intimacy that a consumer of media feels towards the “image” of the performer. Later developed into the notion of “celebrity worship” by researchers, “parasociality” has a relationship to the worshipful dynamics of totemism—in which the image of the animal exceeds the actual being in sacredness—as described by French sociologist Émile Durkheim. Discussing French author Jean Genet’s exploration of the unlikely forms of totemic worship common in the age of mass media, this article posits that Genet’s “parasociology of religion” demonstrates the way in which Durkheimian sociology of religion can offer insight into ostensibly secular contemporary practices, including those of fan communities.
ISSN:1568-5292
Enthält:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02403003