George F. Handel’s “How Beautiful Are the Feet” as Transformational Object: An Autobiographical Account
Using Christopher Bollas’s concept of transformational object, the author reflects on George F. Handel’s “How Beautiful Are the Feet” as a song that has sustained him and informed his vocational self-understanding as a pastoral theologian. The author reflects on the role of his mother and paternal a...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Springer Science Business Media B. V.
[2020]
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| In: |
Pastoral psychology
Year: 2020, Volume: 69, Issue: 2, Pages: 87-98 |
| Further subjects: | B
Christopher Bollas
B Handel’s Messiah B Transformational objects B Paul Pruyser B Aunting B Hope |
| Online Access: |
Volltext (Verlag) |
| Summary: | Using Christopher Bollas’s concept of transformational object, the author reflects on George F. Handel’s “How Beautiful Are the Feet” as a song that has sustained him and informed his vocational self-understanding as a pastoral theologian. The author reflects on the role of his mother and paternal aunts in fostering a model of care that instilled in him a sense of hope. The author concludes by reflecting on the kinetic quality of pastoral theology and the need to reclaim an agile, even playful understanding of hope. |
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| ISSN: | 1573-6679 |
| Contains: | Enthalten in: Pastoral psychology
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| Persistent identifiers: | DOI: 10.1007/s11089-020-00894-6 |