Hōnen's Senchaku Doctrine and His Artistic Agenda
As the founder of the Pure Land School, Hōnen (1133-1212) had a profound impact on the doctrines of the medieval period. His teachings on the exclusive selection of invocational nenbutsu generated a new doctrinal matrix with far-reaching social and theological implications. Less well understood is t...
Главный автор: | |
---|---|
Формат: | Электронный ресурс Статья |
Язык: | Английский |
Проверить наличие: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Опубликовано: |
Nanzan Institute
[2004]
|
В: |
Japanese journal of religious studies
Год: 2004, Том: 31, Выпуск: 1, Страницы: 3-27 |
Другие ключевые слова: | B
Rebirth
B Meditation B Religious Studies B Art genres and movements B Images B Bodhisattva B Vows B Painting B Prayer |
Online-ссылка: |
Volltext (kostenfrei) |
Итог: | As the founder of the Pure Land School, Hōnen (1133-1212) had a profound impact on the doctrines of the medieval period. His teachings on the exclusive selection of invocational nenbutsu generated a new doctrinal matrix with far-reaching social and theological implications. Less well understood is the relation between Hōnen and the visual images of Pure Land Buddhism. A fresh examination of Hōnen's writings illuminates the monk's novel interpretation of a key soteriological icon: the paintings of Amida's welcoming descent with his celestial assembly. Special attention is given to the Gōshō mandara and its role both as a manifestation of Hōnen's doctrines and as a prototype for later paintings of Amida's welcoming descent with twenty-five bodhisattvas. |
---|---|
Второстепенные работы: | Enthalten in: Japanese journal of religious studies
|