Temporal and Topological: Two Ways of Living Israel/Palestine
Elia Suleiman and Amos Gitai are two Israeli filmmakers, Palestinian and Jewish respectively. Gitai’s first film, House (1980), was censored by Israeli Television - the producers of the film - due to its sympathetic portrayal of Palestinians. Elia Suleiman’s debut film, Chronicle of a Disappearance...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2019
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| In: |
The journal of religion and film
Year: 2019, Volume: 23, Issue: 2, Pages: 1-24 |
| Standardized Subjects / Keyword chains: | B
Bayit
/ Chronicle of a disappearance
/ Israel
/ Middle East conflict
/ Space
/ Time
|
| IxTheo Classification: | AD Sociology of religion; religious policy AG Religious life; material religion KBL Near East and North Africa ZC Politics in general |
| Further subjects: | B
Conflict
B Memory B Diaspora B Judaism B Palestinian cinema B Israeli cinema B Identity |
| Online Access: |
Volltext (kostenfrei) |