The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979)
This article explores the soteriological significance of desire in Сталкер (STALKER, Andrei Tarkovsky, RU 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space which signifies the end of all desire: the Room, a preternatural place of mystica...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2020]
|
| In: |
Journal for religion, film and media
Year: 2020, Volume: 6, Issue: 1, Pages: 37-52 |
| Standardized Subjects / Keyword chains: | B
Tarkovskij, Andrej 1932-1986
/ Stalker (Film, 1979)
/ Faith
/ Hope
/ Desire
/ Redemption
|
| IxTheo Classification: | AG Religious life; material religion AZ New religious movements |
| Further subjects: | B
Christology
B Desire B Trinity B Andrei Tarkovsky B STALKER (1979) B Soteriology |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
