Lorenz, J. (2020). The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979). Journal for religion, film and media, 6(1), 37-52. doi:10.25364/05.06:2020.1.3
Chicago Style (17th ed.) CitationLorenz, James. "The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979)." Journal for Religion, Film and Media 6, no. 1 (2020): 37-52, https://doi.org/10.25364/05.06:2020.1.3.
MLA (9th ed.) CitationLorenz, James. "The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979)." Journal for Religion, Film and Media, vol. 6, no. 1, 2020, pp. 37-52, https://doi.org/10.25364/05.06:2020.1.3.
Warning: These citations may not always be 100% accurate.