Breaking free from death: the art of being a successful Russian writer

Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death,...

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Detalles Bibliográficos
Autor principal: Rylkova, Galina (Autor)
Tipo de documento: Electrónico Libro
Lenguaje:Inglés
Verificar disponibilidad: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: Boston, MA Academic Studies Press 2020
En:Año: 2020
(Cadenas de) Palabra clave estándar:B Tolstoj, Lev Nikolaevič 1828-1910 / Čechov, Anton Pavlovič 1860-1904 / Miedo existencial / Creatividad / Pérdida / Finitud / Muerte (Motivo)
B Girard, René 1923-2015
Otras palabras clave:B War and Peace
B The Seagull
B Psychology of Creative Personality
B Writer’s Block
B Characters
B Literary Theory
B The Cherry Orchard
B The Decembrists
B Dante
B A Confession
B Psychoanalysis
B existentialism
B Sustainability
B Bunin
B political regimes
B LITERARY CRITICISM / Russian & Former Soviet Union
B Authors, Russian 19th century Attitudes
B letters
B Gogol
B Tolstoy
B Uncle Vanya
B Meyerhold
B Russian literature
B Mortality
B anxieties
B The Steppe
B Liberation of Tolstoy
B LITERARY CRITICISM / Comparative Literature
B 19th Century / HISTORY / Modern
B Death in literature
B Creativity
B hypochondria
B The Death of Ivan Ilych
B About Chekhov
B Drama
B Creative Ability / PSYCHOLOGY
B Anna Karenina
B Writing
B Instability
B The Kreutzer Sonata
B The Life of Arseniev
B Death
B Death & Dying / SOCIAL SCIENCE
B Death Psychological aspects
B Philosophy
B Integrity
B Russian drama
B Chekhov
Acceso en línea: Cover (Publisher)
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Volltext (lizenzpflichtig)
Parallel Edition:No electrónico
Descripción
Sumario:Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death, and not just the arguably universal fear of death but, equally important, the innumerable impositions on the part of various outsiders. Many conflicts in the lives of Rylkova's subjects arose not from their opposition to the existing political regimes but from their interactions with like-minded and supporting intellectuals, friends, and relatives. The book describes the lives and choices that concrete individuals and-by extrapolation-their literary characters must face in order to preserve their singularity and integrity while attempting to achieve fame, greatness, and success
Frontmatter -- Table of Contents -- Acknowledgments -- Prologue: Breaking Free from Death -- CHAPTER 1: Leo Tolstoy and the Privilege of Formidable Hypochondria -- CHAPTER 2: In Chertkov's Grip -- CHAPTER 3: Uncle Vanya: The Drama of Sustainability -- CHAPTER 4: "Homo Sachaliensis": Chekhov's "Character" as a Strategy -- CHAPTER 5: The Steppe as a Story of Humble and Spectacular Beginnings -- Photographs -- CHAPTER 6: Reading Chekhov through Meyerhold's Eyes -- CHAPTER 7: Living with Tolstoy and Dying with Chekhov: Ivan Bunin's Liberation of Tolstoy (1937) and About Chekhov (1953) as Two Modes of Auto/Biographical Writing -- CHAPTER 8: "There is a way out": The Cherry Orchard in the Twenty-First Century -- CHAPTER 9: A Boring Story: Chekhov's Trip to Germany in 1904 -- Epilogue Oyster Fever: Chekhov and Turgenev -- Index
Descripción Física:1 Online-Ressource (xviii, 185 Seiten)
Tipo de documento:Mode of access: Internet via World Wide Web.
ISBN:978-1-64469-265-3
Acceso:restricted access
Persistent identifiers:DOI: 10.1515/9781644692653