Perhaps there is hope: reading Lamentations as a polyphony of pain, penitence, and protest
Contents -- Acknowledgements -- Abbreviations -- Chapter 1: Introduction -- Chapter 2: Reading Lamentations 1 as a Polyphony -- Chapter 3: Reading Lamentations 2 as a Polyphony -- Chapter 4: Reading Lamentations 3 as a Polyphony -- Chapter 5: Reading Lamentations 4 as a Polyphony -- Chapter 6: Readi...
Main Author: | |
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Format: | Electronic Book |
Language: | English |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
New York
Bloomsbury International Clark
2015
|
In: | Year: 2015 |
Reviews: | [Rezension von: Bier, Miriam J., 'Perhaps there is hope' ] (2017) (Tiemeyer, Lena-Sofia, 1969 -)
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Series/Journal: | The library of Hebrew Bible/Old Testament studies
603 |
IxTheo Classification: | HB Old Testament |
Further subjects: | B
Bible. Lamentations
Criticism, interpretation, etc
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Online Access: |
Volltext (doi) Volltext (lizenzpflichtig) |
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520 | |a Contents -- Acknowledgements -- Abbreviations -- Chapter 1: Introduction -- Chapter 2: Reading Lamentations 1 as a Polyphony -- Chapter 3: Reading Lamentations 2 as a Polyphony -- Chapter 4: Reading Lamentations 3 as a Polyphony -- Chapter 5: Reading Lamentations 4 as a Polyphony -- Chapter 6: Reading Lamentations 5 as a Polyphony -- Chapter 7: Reading the Book of Lamentations as a Polyphony -- Summary and Conclusions: The Hermeneutical Implications of Polyphony -- Conclusions -- Bibliography | ||
520 | |a Bier proposes here a strong new understanding of the Book of Lamentations, drawing on Bakhtinian ideas of multiple voices to analyse the poetic speaking voices within the text; examining their theological perspectives, and nuancing the interaction between them. Bier scrutinises interpretations of Lamentations, distinguishing between exegesis that reads Lamentations as a theodicy, in defense of God, and those that read it as an anti-theodicy, in defense of Zion. Rather than reductively adopting either of these approaches, this book advocates a dialogic approach to Lamentations, reading to hear the full polyphony of pain, penitence, and protest | ||
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