Perhaps there is hope: reading Lamentations as a polyphony of pain, penitence, and protest

Contents -- Acknowledgements -- Abbreviations -- Chapter 1: Introduction -- Chapter 2: Reading Lamentations 1 as a Polyphony -- Chapter 3: Reading Lamentations 2 as a Polyphony -- Chapter 4: Reading Lamentations 3 as a Polyphony -- Chapter 5: Reading Lamentations 4 as a Polyphony -- Chapter 6: Readi...

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Bibliographic Details
Main Author: Bier, Miriam J. (Author)
Format: Electronic Book
Language:English
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Check availability: HBZ Gateway
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Published: New York Bloomsbury International Clark 2015
In:Year: 2015
Reviews:[Rezension von: Bier, Miriam J., 'Perhaps there is hope' ] (2017) (Tiemeyer, Lena-Sofia, 1969 -)
Series/Journal:The library of Hebrew Bible/Old Testament studies 603
IxTheo Classification:HB Old Testament
Further subjects:B Bible. Lamentations Criticism, interpretation, etc
Online Access: Volltext (doi)
Volltext (lizenzpflichtig)

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520 |a Contents -- Acknowledgements -- Abbreviations -- Chapter 1: Introduction -- Chapter 2: Reading Lamentations 1 as a Polyphony -- Chapter 3: Reading Lamentations 2 as a Polyphony -- Chapter 4: Reading Lamentations 3 as a Polyphony -- Chapter 5: Reading Lamentations 4 as a Polyphony -- Chapter 6: Reading Lamentations 5 as a Polyphony -- Chapter 7: Reading the Book of Lamentations as a Polyphony -- Summary and Conclusions: The Hermeneutical Implications of Polyphony -- Conclusions -- Bibliography 
520 |a Bier proposes here a strong new understanding of the Book of Lamentations, drawing on Bakhtinian ideas of multiple voices to analyse the poetic speaking voices within the text; examining their theological perspectives, and nuancing the interaction between them. Bier scrutinises interpretations of Lamentations, distinguishing between exegesis that reads Lamentations as a theodicy, in defense of God, and those that read it as an anti-theodicy, in defense of Zion. Rather than reductively adopting either of these approaches, this book advocates a dialogic approach to Lamentations, reading to hear the full polyphony of pain, penitence, and protest 
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