Vom Film als Verführer zum Film als Lehrer: Entwicklungslinien in der katholischen Filmarbeit
The following article outlines lines of development of Catholic film work. The Catholic Church, originally depicted in film as an ethical problem, as a seducer with immoral purposes, attempted over the course of history to control the potentially damaging effect of the film medium. This was undertak...
| Autore principale: | |
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| Tipo di documento: | Elettronico Articolo |
| Lingua: | Tedesco |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
[2019]
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| In: |
Communicatio socialis
Anno: 2019, Volume: 52, Fascicolo: 4, Pagine: 457-467 |
| (sequenze di) soggetti normati: | B
Chiesa cattolica
/ Lavoro cinematografico
/ Sviluppo
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| Notazioni IxTheo: | CD Cristianesimo; cultura KDB Chiesa cattolica ZG Scienza dei media; Digitalità; Scienza della comunicazione |
| Accesso online: |
Volltext (Publisher) Volltext (doi) |
| Riepilogo: | The following article outlines lines of development of Catholic film work. The Catholic Church, originally depicted in film as an ethical problem, as a seducer with immoral purposes, attempted over the course of history to control the potentially damaging effect of the film medium. This was undertaken by establishing its own facilities in the fields of production, rental and projection, through statements and appeals and, in particular, through journalistic activities, which aimed to control the behavior of the public. During the course of these developments, the aim of the church to control as well as the overall potential of film to influence the public disappeared. To provide impulses towards reflection on questions related to meaning and value, were increasingly and more clearly recognized as important. Der folgende Beitrag umreißt Entwicklungslinien der katholischen Filmarbeit. Die katholische Kirche, die den Film ursprünglich vor allem als ethisches Problem, als Verführer zu unsittlichem Handeln ansah, versuchte im Laufe der Geschichte die potenziellen schädlichen Wirkungen des Mediums Film zu kontrollieren, durch eigene Einrichtungen in den Bereichen Produktion, Verleih und Abspiel, durch Stellungnahmen und Appelle, vor allem durch publizistische Aktivitäten, die darauf abzielten, das Publikumsverhalten zu steuern. Im Laufe der Entwicklung verschwand der Kontrollgedanke und das Potenzial des Films. Impulse für eine Reflexion über Sinn- und Wertefragen zu geben, wurde zunehmend deutlicher erkannt. |
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| ISSN: | 2198-3852 |
| Comprende: | Enthalten in: Communicatio socialis
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| Persistent identifiers: | DOI: 10.5771/0010-3497-2019-4-457 |
