Transgressing Boundaries in the Nine Inch Nails: The Grotesque as a Means to the Sacred
The grotesque is often viewed as a subversive element injected into the fabric of social and religious structures for subversive and offensive purposes intended to garner increased market share and media exposure. As such it has been seen as barbaric or even demonic. However, other theories of the g...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
University of Saskatchewan
[2005]
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| In: |
Journal of religion and popular culture
Year: 2005, Volume: 11, Issue: 1 |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a The grotesque is often viewed as a subversive element injected into the fabric of social and religious structures for subversive and offensive purposes intended to garner increased market share and media exposure. As such it has been seen as barbaric or even demonic. However, other theories of the grotesque show that it is often a combination of social and aesthetic criticism that disrupts the ordered structure of experience in terms of boundaries and categories that compose that structure often in terms of explicit traditions, but also in terms of hidden assumptions and values that compose this structure. To this end, there is a connection of the grotesque to the sublime and the ambiguous. There is thus an element of the grotesque that lays claim to mystery and so, can act as a vehicle for understanding crucial concepts in studying divinity. Examples of religious ambiguity and the grotesque in popular culture disclose both aspects of the grotesque and also offer a fructuous medium from which the critical engagement of tradition, boundaries, and the grotesque itself can emerge. The grotesque aesthetic and explicitly religious quoting of the Nine Inch Nails provides a clear medium through which the tentative structure of boundaries is expressed creating creative space for the mystery of the sacred to emerge. | ||
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