Superstars and Misfits: Two Pop-trends in the Gender Culture of Contemporary Evangelicalism
: This paper examines gender in two forms of mediated contemporary Protestant evangelicalism in the United States: a male-dominated punk network, called Misfits United, and a women's group studying Beth Moore's Bible study, It's Tough Being a Woman (ITBAW). While the appearance and pe...
| Authors: | ; |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Saskatchewan
[2012]
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| In: |
Journal of religion and popular culture
Year: 2012, Volume: 24, Issue: 1, Pages: 67-79 |
| Further subjects: | B
Christian rock
B Evangelical B Gender B women’s ministries |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a : This paper examines gender in two forms of mediated contemporary Protestant evangelicalism in the United States: a male-dominated punk network, called Misfits United, and a women's group studying Beth Moore's Bible study, It's Tough Being a Woman (ITBAW). While the appearance and performance styles of these two groups are drastically different, both support gender hierarchies in similar ways. Misfits United and Moore's ITBAW present the gender of their Christian God as flexible, even transformative, and in effect open up discursive space to conceptualize gender on non-traditional grounds. Paradoxically, however, both reinforce traditional gender roles by emphasizing what distinguishes God from His creation: the gendered constraints of human biology. | ||
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