Salvation from Illusion, Salvation by Illusion: The Gospel According to Christopher Nolan

That science fiction implicitly conveys religious world views is evident in the cinematic corpus of writer-director Christopher Nolan. The Prestige, Inception, and Nolans Batman trilogy represent a variation on Gnosticism, in that salvation comes from a secret way of seeing the world. Nolans vision,...

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Detalhes bibliográficos
Publicado no:Implicit religion
Autor principal: Faithful, George 1979- (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Equinox [2014]
Em: Implicit religion
Ano: 2014, Volume: 17, Número: 4, Páginas: 405-416
Outras palavras-chave:B post-modernism
B Christopher Nolan
B Science fiction films
B NOLAN, Christopher, 1970-
B RELIGION & literature
B Implicit Religion
B Gnosticism
B INCEPTION (Film)
B PRESTIGE, The (Film)
B Pseudo-Gnosticism
B Science Fiction
Acesso em linha: Volltext (doi)
Descrição
Resumo:That science fiction implicitly conveys religious world views is evident in the cinematic corpus of writer-director Christopher Nolan. The Prestige, Inception, and Nolans Batman trilogy represent a variation on Gnosticism, in that salvation comes from a secret way of seeing the world. Nolans vision, however, is a repudiation of Gnostic norms, fo r salvation hinges not on the truth, but on the perfect lie. Illusion is both what is being redeemed, and the means of its redemption. Contrary to traditional Western religious norms, in Nolans stories the truth is destructive; it is deception that is salvific. Yet, counter the mainstreams of post-modern culture, in the worlds that Nolan crafts not all constructed perspectives are equally viable. To understand Nolans work clearly is to have insight into popular culture, into those who consume it, and, perhaps, into reality itself.
ISSN:1743-1697
Obras secundárias:Enthalten in: Implicit religion
Persistent identifiers:DOI: 10.1558/imre.v17i4.405